I mean, there's no any resemblance with your description of reversal films or in-camera effect - very sharp, very vivid.Īs concerning shooting on film, I'm shooting too on 120-format Kiev and Yashica cameras, but some kind of vintage effect I could get only on rollei 200 cr, other reversal are very modern-looking - great color balance, vivid colors, great sharpness, wide DR. SteveGot your idea, very useful, thanks a lot! I have used reversal film only in 90-s and early 00-s and it was fuji velvia/provia, so early-color or vintage film look and feel are only theoretical for me. Most of what passes for epoch mood is the result of poor initial exposure and/or fading of prints and slides over time.
A big exception would be early color photography through maybe the mid-1960s. The majority of quality film photographs from the last 80 years don't have any particular "epoch mood" that is traceable to medium. If you mostly want to add epoch mood, you can fake it in PP, save the settings preset and call it whatever you want. FWIW, I shoot both film and dSLR and have found most emulations to lack subtlety. When all other factors remain the same, increasing the. The intensity of radiation exposure, or exposure intensity, is a measurement of the amount and energy of the x-rays reaching an area of the film.
It will also allow you to assess the accuracy of the various "film packs". The radiation exposure to the film-screen image receptor primarily determines the amount of optical density created on the film after processing. I would suggest that actually doing some film photography would allow you a degree of fidelity to the medium you can only dream of with a typical digital capture.
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